Why does peggy sleep with duck

Season 1 is all about Peggy learning to navigate Sterling Cooper—covering for Don, deflecting unwanted male attention, saving her tears for the bathroom—while also discovering the ways in which she's different from the other secretaries. She's asked to write copy and excels, but also puts on weight and starts dressing even frumpier than when she started. In the season finale, Don promotes Peggy to a full-time junior copywriter, and she gives birth to Pete's baby who she didn't even know she was pregnant with.

An iconic Peggy moment is when she loses her ponytail. Feeling a little insecure, she asks Kurt Edin Gali , her gay pal at work, "What's wrong with me?

I fix you. Peggy has been handling several accounts all season, but this is the first time we see her actually looking like a professional woman instead of a little girl.

But longer hair isn't the only thing Peggy sheds in Season 2. She finally has the courage to step away from her Catholic upbringing, her background as a secretary she demands her own office and her feelings for Pete. When he confesses his feelings for her in the season finale, she tells him she had his baby and gave it away, and that part of her is gone. Unburdened by all the baggage she was carrying last season, Peggy comes into her own. She finds a roommate and moves into Manhattan, shaking off her final ties to Brooklyn.

She's on more accounts than ever and has no problem voicing her opinion in a room full of men, even if they routinely dismiss her as too serious and straight-laced. As she grows in confidence, Peggy becomes more aware of her value. Duck Phillips Mark Moses attempts to woo her away from Sterling Cooper, and Peggy uses this to try to get a raise from Don, who rejects her coldly.

She returns the favor in the season finale when he tells her they're starting a new firm and she replies, "I don't want to make a career of being there so you can kick me when you fail. She finally agrees when he shows up at her apartment door, hat in hand, but the point has been made—Peggy Olson knows her worth, and she isn't going to settle for anything less than what she deserves.

She jokes around with the boys but still takes the work seriously. But when the time comes, she doesn't hesitate to go toe-to-toe with the men in the office. After Joey Matt Long sexually harasses Joan and defends himself by saying that women don't have senses of humor, Peggy fires him on the spot. Don suggests Irene Dunn. Don is not someone with a healthy attitude about women, and he probably does see most of the women in his life as either Jackie or Marilyn.

But he sees Peggy as outside of that, as not part of his weird crazy attitudes about potential sexual partners. She talks it over with Pete, then, and Pete has a similar response. He masks it better than she does, but they both find social performance exhausting. In season three, Peggy and Don have settled into a pretty comfortable rhythm, enough so that they can be a little bit snappish with each other without risking anything.

If he has everything and so much of it, why does he still want more? Because advertising is pernicious. Because his family never loved him. They look at one another, and silently seem to agree to just move on. Have a Seat. However often Betty told him how much his actions hurt her, he never really did anything about not — nothing meaningful or lasting, anyway. And something happened. Something terrible. But you do. Pete and Bert know the facts about Dick Whitman, but only Peggy can really understand what it takes to decide, through hardship, exactly how you want your life to be.

It goes awry, and Peggy needs money to bail the actresses out of jail. Later, after yet another scolding, Peggy lashes back. He hates himself, so he hates Peggy. Don spends the episode berating Peggy and getting drunker and drunker. You should be thanking me every morning when you wake up, along with Jesus, for giving you another day! Or as important as anything in that office.

But the bigger one comes before that. However, while she does treat Dawn with respect, she has one moment where a slight tinge of racism and a lack of trust shines through. Dawn is getting ready to sleep on the couch when Peggy sees her purse is on the table, they make eye contact and Peggy pretends she is just looking at the bottles of beer that need tidying, but that isn't the truth.

Peggy Olson doesn't have a good time with love during the show as this list will highlight , but at the same time, she doesn't really help herself with some of the decisions she makes. A prime example of that is when she gets involved with Duck Phillips, whose life has totally collapsed at the point when they start hooking up. It's quite clear that Duck is an alcoholic who is mainly just using Peggy for leverage in the hope he will either get to return to work or to bring her along with him as a bargaining chip to get work elsewhere.

She shamefully goes along with it for a while, knowing fully that it's the wrong thing to be doing. The first account that Peggy Olson is given when she becomes a copywriter is for the Relax-a-Cizor.

She works alongside Ken Cosgrove and they have to hire someone for a voiceover role which is where Peggy makes a shameless decision. It comes down to two women, one is Rita who has tons of confidence but isn't the prettiest, while the other is Annie who has the looks but not the talent.

However, she makes the decision to hire Annie, simply because she thinks that having looks is the right decision, which is a shallow choice.

However, nobody expected this. Peggy and Stan had nightly phone calls to stay in contact, sharing funny stories about work, which included him letting slip to Peggy that they had a meeting coming up with Heinz Ketchup.

He does that in trust and confidence, yet Peggy immediately betrays him and tells Ted what is happening. While she doesn't think much of it, when he says they have to pitch as well and she does a better job than Stan and Don, it quickly becomes clear she stabbed her friend in the back.

Speaking of Heinz, despite the fact that she nails the ketchup meeting, her previous encounter with the company doesn't exactly go well. While working for Don, she tries to land their account for Heinz Beans, but her approach is a little off. Creative pitches not going to plan is something that is fairly regular in her line of work. But for some reason, Peggy takes this one incredibly personally and actually snaps at the client.